"The artistic emancipation of noise in the sense of organised sound
effects was achieved as early as 1913. At least since the technological
development of sampling one can not think of popular music without the
notion of organised noise. At four exhibitions held at the Chemnitz
gallery A»VoxxxA« between April and September 2002 musicians
experimented with electronically generated tones in the context of an
artistic space. So unsynchronised film projectors (Weltecho was also the
name of a former cinema in Chemnitz) for example created rhythmic
structures for sound oscillations."

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